By reviewing our services, you'll realize just how serious we are about ensuring that your script reaches its full potential.
At End Of Story, you won't be charged by the hour or by the page. You will never pay extra for services that should never be withheld in the first place. There are no hidden costs and you won’t be faced with a barrage of confusing plan choices with arbitrary fees. You won't even have to pick and choose what features you want in a plan because at End Of Story—everything is already included in our one flat rate fee of $150.
We are so confident that End Of Story is the most writer friendly and affordable story analysis service available that we invite you to open up another web browser, search other script services, review their offerings and compare. What you are sure to discover is that choosing End Of Story is an absolute no-brainer.
At End Of Story, your script isn't read and then discarded. We are committed to maintaining a working relationship with you until you are fully satisfied with our services. Below is a list of what is included in your one time, $150 fee.
COMPLETE
STORY ANALYSIS AND DEVELOPMENT NOTES
Your script will be read and notes will be made throughout.
These notes
will be reevaluated and constructed into descriptive and detailed
development notes that will be sent to you in document form via email.
Unlike other services, we do not put a set number of pages on the amount of feedback you will receive because we believe that leads to either under analyzing or senselessly over analyzing your script to meet a quota.
With End Of Story, you can be sure you will get a complete analysis and be provided with insightful notes and recommendations—whether that is achieved in four our fourteen pages. Every script is different and therefore, so is every analysis.
The following are just some of the areas that will be addressed and examined in your scripts analysis:
CHARACTER
Are characters thoughtfully chosen to maximize drama and drive
the
story?
Are characters introduced too early? Too late?
Does your antagonist and protagonist display a unity of
opposites?
Are characters active or passive?
Are goals introduced and addressed at
the most effective time in the script?
Do secondary characters effectively compliment the main
characters?
Do characters act consistently throughout the script or are there
inconsistencies in their words and/or actions?
Does character change happen in transition?
Do your characters act out of necessity?
Does your audience feel an emotional attachment to your characters? How
can an audiences' emotional investment be maximized?
CONFLICT
Is the script paced, with a smooth rising action and flowing scene
transitions?
Does you appropriately lead your audience to the climax they have been
waiting for?
Is what is at stake in the script enough to keep your audience
interested?
Is conflict solved too early?
Are characters as driven as they could and should be?
Do you prove your premise?
Have you created suspenseful attacks and counterattacks?
How can your story structure be more dynamic?
WRITING
Is your dialogue flowing and believable?
Are scenes too
“talky”?
In creatively revealing character are you
“telling us” more than “showing
us”?
Do scenes end effectively?
Do you portray a knowledge of the subject matter, setting, era, and
other technical aspects surrounding the script?
Is the story thought out or is it apparent that you jumped straight
into writing?
Is your passion about the premise and theme apparent?
Do you fully take advantage of the scenes and characters that you have
created?
Is the humor in the script in contrast with the story? Is it
forced?
Are there plot holes you've failed to notice?
Is your writing able to
hold your target audience?
Do you “waste pages” or use them
effectively?
Is your story worth telling?
Is your script formatted to meet industry standards?
NO LIMIT FOLLOW UP
PHONE CONSULTATION AT YOUR CONVENIENCE
After you have gotten a chance to read, digest and (I highly
recommend)
make notes of your own in regards to the story analysis and development
notes
you have received, I invite you to schedule a time, at your
convenience, for us to verbally discuss them.
The purpose of this step is to ensure that you fully understand, in detail, the points and suggestions that I have made. This step gives you the opportunity to voice your concerns and inquiries and presents us with a time to talk about the future of your script. In selecting a time for this call, I encourage you to choose a quiet and comfortable allotment of time because our work session will not end until you have no questions left unanswered.
I will never be the one to end a phone call and I vow to stay on the line with you until all the answers to your questions have been addressed to your full satisfaction—regardless of how many minutes or hours that may happen to take.
UNLIMITED ACCESS TO MY
EMAIL
Even after our phone conversation, it's inevitable for
questions to
surface along the way to improving your script. That’s why I
offer unlimited access to my email address for further consultation
throughout your scripts development.
You can consult me via email whenever you would like as much as you would like and I will address your questions as promptly as possible.
MY REPUTATION ON THE
LINE
My name and reputation is on every bit of correspondence between us,
from my initial analysis to our last follow up email. No scripts are
passed on to other less qualified readers and I personally address
every email.
ANYTHING ELSE YOU CAN THINK OF?
If there is anything else we can do to be of better service to you,
just let us know and we'd be more than happy to meet your needs.